EN

Introduction.

 

Shape and colors, that are the essential bricks to build an image, tie in an additive brief which raises itself as foundation of very same act of seeing.

Shapes come into the world by the role of lights and shadows inside the darkroom, and, they show their character as solid object through the metaphor of orthogonal view.

The leading colors, by overlying mutually, start off their opposites and they influence shapes that, through leaving their unconditioned being full of corners, come closer to the pure sphere: the idealistic perfection.

  

THE COMPLETE WORK
01_Rosso-Cubo
01_Rosso-Cubo
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02_Verde-Piramide
02_Verde-Piramide
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03_Blu-Parallelepipedo
03_Blu-Parallelepipedo
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04_Bianco-Sfera
04_Bianco-Sfera
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05_Giallo-Cilindro
05_Giallo-Cilindro
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06_Magenta-Cono
06_Magenta-Cono
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07_Ciano-Tronco di Cilindro
07_Ciano-Tronco di Cilindro
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Cubo
Cubo
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Piramide
Piramide
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Parallelepipedo
Parallelepipedo
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Sfera
Sfera
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Cilindro
Cilindro
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Cono
Cono
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Tronco di Cilindro
Tronco di Cilindro
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FIRST CHAPTER
Proiezione Ortogonale Sfera
SECOND CHAPTER
01_Rosso-Cubo
01_Rosso-Cubo
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02_Verde-Piramide
02_Verde-Piramide
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03_Blu-Parallelepipedo
03_Blu-Parallelepipedo
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07_Ciano-Tronco
07_Ciano-Tronco
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06_Magenta-Cono
06_Magenta-Cono
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05_Giallo-Cilindro
05_Giallo-Cilindro
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04_Bianco-Sfera
04_Bianco-Sfera
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THE END.