top of page
Shape and colors, that are the essential bricks to build an image, tie in an additive brief which raises itself as foundation of very same act of seeing.
Shapes come into the world by the role of lights and shadows inside the darkroom, and, they show their character as solid object through the metaphor of orthogonal view.
The leading colors, by overlying mutually, start off their opposites and they influence shapes that, through leaving their unconditioned being full of corners, come closer to the pure sphere: the idealistic perfection.
THE COMPLETE WORK
07_Ciano-Tronco di Cilindro
Tronco di Cilindro
bottom of page