EN

Introduction.

 

Shape and colors, that are the essential bricks to build an image, tie in an additive brief which raises itself as foundation of very same act of seeing.

Shapes come into the world by the role of lights and shadows inside the darkroom, and, they show their character as solid object through the metaphor of orthogonal view.

The leading colors, by overlying mutually, start off their opposites and they influence shapes that, through leaving their unconditioned being full of corners, come closer to the pure sphere: the idealistic perfection.

  

THE COMPLETE WORK
01_Rosso-Cubo
01_Rosso-Cubo
02_Verde-Piramide
02_Verde-Piramide
03_Blu-Parallelepipedo
03_Blu-Parallelepipedo
04_Bianco-Sfera
04_Bianco-Sfera
05_Giallo-Cilindro
05_Giallo-Cilindro
06_Magenta-Cono
06_Magenta-Cono
07_Ciano-Tronco di Cilindro
07_Ciano-Tronco di Cilindro
Cubo
Cubo
Piramide
Piramide
Parallelepipedo
Parallelepipedo
Sfera
Sfera
Cilindro
Cilindro
Cono
Cono
Tronco di Cilindro
Tronco di Cilindro
FIRST CHAPTER
Proiezione Ortogonale Sfera
SECOND CHAPTER
01_Rosso-Cubo
01_Rosso-Cubo
02_Verde-Piramide
02_Verde-Piramide
03_Blu-Parallelepipedo
03_Blu-Parallelepipedo
07_Ciano-Tronco
07_Ciano-Tronco
06_Magenta-Cono
06_Magenta-Cono
05_Giallo-Cilindro
05_Giallo-Cilindro
04_Bianco-Sfera
04_Bianco-Sfera
THE END.